A Worthwhile Sacrifice

You know…sometimes…there are some people who are just…ugh…I don’t know…Something I can’t express in words, only frustrated grunts, long puffs of air and sour, face-twisting looks. You know what I’m talking about, right? That’s what this little bitty story is about. THOSE people. It is called…

A Worthwhile Sacrifice

So, like, I got to the counter and told the guy behind there that I wanted a little extra butter but not too much extra butter because it makes the popcorn all soggy and stuff and that I wanted a little extra ice in my Diet Coke but not too much ice and then, like, he just burst into flames. I know, weird, huh? At first he opened his mouth like he was going to scream and stuff and I could see a bright light in there and then he just suddenly burst out in flames. Oh, and it was totally gross. It totally smelled like burning hair because, like, his hair was on fire and everybody was running around screaming because they didn’t know what to do and little pieces of his skin and stuff totally flaked off and got all over me. It was so gross. I was totally screaming about it and I could swear that dude was smiling at me as he burned up. I know! I know! Like he was happy he was all burning to death and totally messing things up for me. I know! And guess what? They totally canceled all the movies for the rest of the day because of it, even though I had already bought my popcorn and everything. Totally ruined my day.

Can't this guy, like, think of anyone but himself?

Can’t this guy, like, think of anyone but himself?

(NOTE: A slightly different version of this story appeared on the now defunct short fiction website, Flashshot.com. It was a great little site run by a single dude with way more dedication to his craft than I could ever muster. I’ll always miss my daily dosage of super-short pulp fiction. RIP, Flashshot.com.)

So, I’ve been watching a lot of 80s cop movies…

The Captain and the Equal Sign

Equal Sign leaned back a little further in the metal chair as the captain continued his verbal tirade. The seat was intentionally uncomfortable … handpicked by the captain from the worst batch of rejects the world’s most despised metal chair factory could produce so that anybody unfortunate enough to find himself seated in the captain’s office would have to suffer from a numb, achy ass right along side his bleeding ears and decimated sense of pride.

But Equal Sign’s ass had been in this chair so many times it was practically as warm and cushy as his childhood bed. It didn’t bother him one bit and the captain knew it.

That just pissed him off even more.

“Goddam it, Equal Sign! Wipe that smug grin off your face or I’ll wipe it off for you.”

Little droplets of spittle went flying right into Equal Sign’s face, but he didn’t change his expression.

“I ain’t grinnin’, cap.”

The captain loosed a curt, bewildered guffaw.

“The fuck you aren’t you piece of shit. I know water when it rains and shit when it stinks and I know a goddam smug grin when I see one and that’s exactly what you’re givin’ me right now.”

The captain slammed the palms of his hands against his desk, causing the towering stacks of backlogged paperwork stacked atop it to quiver with fear.

“I guess you’re feeling pretty damn proud of yourself, aren’t you? Aren’t you?”

Equal Sign took a sniff of air and said, “For what?”

The captain’s voice raised to a hyterical level. A dude three states over could have heard him.

“For the fuck if I know, detective! For whatever kind of grand mess you’ve made of my city. You’ve blown up half the town; arrested the daughter of one of the city’s most prominent businessmen; broke Einstein knows how many regulations; got your damn picture all over the internet news; I can’t even flip on the Facebook to check and see if my wife’s sister has dropped dead yet without seeing your goddam picture slathered all over everybody’s fucking updates. The mayor’s breathing down my neck and the pastor of every goddam church in the nation is calling me up to tell me I’m going to soaking in the warm shit of Satan’s anus for what you’ve done. You’ve made a mockery of this department detective. Made us all look like we’ve been sittin’ with our thumbs up our asses for years. Is that what you wanted, detective? Was that your fucking goal this whole time?”

Equal Sign laughed.

“Nope,” he said.

The captain fumed and stormed across the room to the window overlooking the whole of the Mathematics Department. With a quick jerk of the cord, he pulled the blinds open … or, more accurately, pulled them from the window entirely.

“You see all those hard working symbols out there, detective? Doing their jobs, playing by the rules? That’s called mathematics, detective. Plus sign out there has put in 30 years. Division’s pulled eight more than that and lost his wife in the process. All on the level; all according to the standard equations.”

When he turned back to Equal Sign, the captain looked exhausted.

“Do you honestly think you know more than they do, detective?”

Pushing up from the uncomfortable chair, Equal Sign calmed a few waves in the sea of wrinkles rolling across the front of his aging suit. He briefly tried to recall the last time he’d had it cleaned … a fool’s errand.

He looked the captain in the eye and said earnestly, “No sir, I don’t. That just ain’t me.”

Then he turned to leave.

“Where the fuck do you think you’re going?”

“To do my job, sir.”

Equal Sign had his fist on the door handle when he stopped. Even though he knew better … knew he shouldn’t poke an angry bear just as it was about to roll over and go to sleep again, he couldn’t help himself.

“Captain,” he said, “You wanna know why the folks out there like me?”

For the first time since the detective had stepped through the door, the captain’s voice was less than a full shout.

“And why is that, detective?”

It was a good thing Equal Sign’s back to was to the captain, because that smug grin had stretched across his face again.

He said, “I get results.” Then, he escaped through the door before the captain could start yelling again.

 

He may be stirring up a lot of controversy, but damn if he isn't a fine cop.

He may be stirring up a lot of controversy, but damn if he isn’t a fine cop.

Future Stuff, No.2: The Mood Suit

Because the current economic climate has forced me to cut back on expenses, I’ve decided to lay off my muse. And because inspiration is hard to come by for those not trained in its detection, I’ve turned to a copy of a 1989 Penguin publication called Future Stuff, which I purchased for a quarter at my local library, for some ideas.

Contained between this book’s covers are more than 250 then would-be inventions promised for wide consumer release by the year 2000. Some came to be; some…not so came to be.

What follows is the second piece inspired by these wonderful devices. It is called…

Suits Your Mood

At first, it was green.

“What the hell are you wearing?”

“It’s a ‘mood suit.’”

“What?”

“A ‘mood suit.’ It changes color to suit your mood. Neat, huh? I got you one, too.”

Green.

“Where did you get them?”

“Novelty tech store.”

“Why did you get them?”

Gray.

“Well…I thought they might help. With our…you know…communication problems.”

“You were supposed to buy a radiant space heater.”

“What?”

“A space heater. That’s why you went out. To buy one. To keep us warm.”

Orange.

“Yeah, but…”

“But what?”

Orange.

“But…but this is so much better than a space heater.”

“In what way?”

Purple.

“In that it’s going to improve our relationship. You’re always preaching that I don’t speak my mind enough. Or, if I do, I’m unclear. And I never know what the hell anything you say means; I misinterpret your feelings and crap all the time. These suits…well…they fix that. We’ll know what we’re feeling by the colors of our suits.”

“Doesn’t that remove some of the point of conversation?”

Blue.

“Yeah…but…but…wait, what?”

Gray.

“If you’re always busy watching the color of my clothes, you’re not listening to me. Right?”

Blue.

“Well…I’m…Well….You see…No…This is what I’m talking about, right here. I really don’t know what you’re getting at. If you were wearing your suit, I’d be be able kind of figure out what you’re trying to tell me. It’d be green and I’d know you’re happy that I did this cool thing or it’d be blue because you’re sad that I hadn’t thought of this great idea earlier. These suits solve so many problems.”

“They don’t solve the problem of our bedroom being too cold.”

Orange.

Red.

“You know, I’m about sick of you sometimes.”

“What?”

Red.

“I mean…I try. I really, really try. Harder than you try. I’m the one who spent $120 on damn ‘mood suits’ just to help us as a couple. And for a moment…for a moment…well, I was dumb enough to think that you might think I did something right. For once. That you might say to yourself, ‘You know what. My husband’s a good guy. He cares about the two of us. He’s on the ball.’ But, of course not. You want a radiant space heater; I want to fix our marriage. You’ve got to take something positive into your cold, crushing hands and just twist it and twist it until it’s this horrible, awful, stupid thing. And the only reason you do that is because it was my idea and my ideas are always shit. Just based on principle. Shit. That’s the way it’s always been. That’s the damn problem. It’s not me. And it’s not the fact that I’m not saying what’s on my mind or I’m not listening to you or whatever crap you’re always claiming is the problem. The problem with our marriage is your inability to express what you truly expect from me. Who the hell knows with you?”

Orange.

Orange.

Gray.

“…”

“I’m…I’m sorry. I’m just…I didn’t mean all that crap. I get worked up. You know what I’m like.”

“…”

Gray.

“Are you mad? Please, don’t be mad. I’m sorry.”

Gray.

“I don’t need a ‘mood suit.’”

“What?”

“I don’t need a ‘mood suit.’”

Gray.

“…Um…OK. Why?”

“Because I’m never unclear about how I’m feeling.”

“…Yeah…but…I think that’s up for…”

“Look me in the eyes and tell me you don’t know what I’m feeling right now.”

Yellow.

green-mood-ring

Sock Puppets

[Originally published on February 02, 2010 on Six Sentences. You can read that version here.]

Sock Puppets

There was a moment there when they just looked at each other in drawn silence: Ash, hand still on the door, and Renee, hand up one of Ash’s missing socks, her palm open so that the little face she had drawn on the dirty white cotton looked as shocked as they both were.

Ash thought to herself, What are you doing, Renee? and So that’s where my socks have been going, and I shouldn’t have come home early, but she didn’t say any of this.

Her roommate tried to explain:

“It’s just something I like to do. I only took the ones that looked dirty; that you were probably going to throw away anyway.”

Ash just nodded, told Renee it was “OK” and slowly stepped back through the door into the apartment complex’s third floor hallway. She was certain that one of them had done something to make the other feel awkward, but wasn’t sure who.

sock-puppet

Given Hindsight

Given Hindsight

(Originally published on May 31, 2010 on Everyday Fiction)

Young Harold opened the door to his bedroom and was surprised to find Himself-Twenty-Odd-Years-Later sitting on his bed. He looked rough, as if he’d been gone over with old sandpaper and then beaten with sticks, and he was fiddling with the small chunk of petrified wood his Grans had given him several years ago as a souvenir from her Arizona trip.

“Don’t lose this,” she had said as she placed the stone in his hand, smiling, “It’s survived for millions of years.”

“I won’t, Grans,” he’d replied, carefully turning the ancient stone over and over and over again in his palm. It was a treasure.

Himself-Twenty-Odd-Years-Later, however, didn’t seem to appreciate his grandmother’s gift or remember her words, as he was casually tossing it up and down, back and forth, from hand to hand like it didn’t even matter to him at all. After giving the stone a final upward toss and catching it with a quick swing of his arm, Himself-Twenty-Odd-Years-Later looked at Young Harold and asked, “Where did you find this?”

“What?”

“This. Where did you find this?” he asked again, displaying the stone between his thumb and three fingers. “It’s been lost for years, but there it was, on my dresser.”

“It hasn’t been lost. It always sits on my dresser.”

“Our dresser.”

The thought “have I done this before” flickered and died inside Young Harold’s brain in an instant, and he was left standing there with a stupid look on his face.
Himself looked directly at Young Harold and said sharply, “Get that stupid look off your face. You can’t go through life looking dumbfounded; people will think you’re an idiot. Think of that as my first piece of advice: even if you don’t know what’s going on, always at least pretend you do. That way people won’t think you’re a total moron.” He spoke harshly, his tone foul.

“What are you doing here?”

“I’m here to give you advice. Advice that comes from years of wisdom.”

“Oh… how did you get here?”

Himself nodded at the closed closet door.

“Through the closet?”

“No, a wormhole.”

“Oh. What’s a wormhole?”

Himself sighed and said, “Think of time as a blanket folded up in your closest … a really big, never-ending blanket. Well, it’s like if some sort of insect or something chewed a hole in one of the folds of that blanket. If it did that, then it could crawl right on down to the lower fold … because it chewed its way through, you know? That’s a wormhole. You’ve got one in my closet … our closet.”

“Oh.”

“Listen, I really don’t have much time,” Himself stood and took a step closer to Young Harold. “There’s some stuff you need to remember in order to, like, have a good productive life. Do you have a pen to write this down?”

“No.”

“Well, crap. Okay, just try and remember what I’m about to tell you. First piece of advice, always carry pen and paper. You never know when something like this will happen. Second piece of advice, avoid Amber, she’s trouble and the kid’s not worth it. I don’t care what she looks like or how you feel about her. Trust me, in the end, it’ll be better.”

“Wait, I’m supposed to remember all this…?”

Himself didn’t pause, “… Thirdly, when you meet Emily, watch what you’re doing. Don’t look like an idiot like you did. Fourth, it doesn’t matter how much you want to or what they say or how drunk you are, don’t go near the lake.”

Himself held up his left hand, which was missing its middle finger.

“Trust me, you’ll regret it,” he said. “Finally, don’t let mom remarry…”

“Mom and Dad get divorced?”

“No, he dies… Speaking of which, read warning labels. Now listen, don’t let her remarry. Steven seems nice at first… seems. Understand?”

“… I … I’m not sure.”

“You’ll figure it out. Oh, and move out as soon as you’re able. Things will be a lot easier for both of us then. And don’t move back in, no matter how much she begs or how bad the sickness gets.”

Himself moved toward the closet.

“Just remember all this stuff I told you. I’m counting on you. It’s all very important. I can’t have you screwing up my life like you did the first time. Got it? Later,” and Himself threw open the closet door and stepped inside and then pulled the door shut quickly.

Young Harold stood perfectly still and silent for a moment, staring straight ahead at the closed closet door. Then, following in Himself’s footsteps, he approached the door and cracked it open and found nothing but clothes and shoes and the cardboard box crammed with all his old toys. Quietly, slowly, he shut the door and walked to his bed and sank down into it, pondering over all that he had learned and was supposed to remember.

At some point while he was lying there, Harold had a feeling…the kind of creeping unease person has when he or she steps inside a deeply familiar place and realizes something minute is askew. An unsettled feeling.

“Where’s Gran’s stone?” he asked himself.

Just One

Quick Note: This story was inspired by something my mother did in high school. Thankfully, she didn’t carry it this far.

Just One

(Originally published on April 30, 2010 on Flash Me Magazine)

Despite the claims of both his classmates and the bag of potato chips itself, Alvis had eaten “just one.”

It had been delectable; the little golden flake had practically melted on his tongue. Even before his taste buds finished absorbing the salty deliciousness of the first they were screaming for a second. But, though he desperately wanted another, Alvis pushed the yellow bag away and felt a surge of self-satisfaction as his buddies’ eyes widened and jaws dropped.

“We’ll see about that,” one of them challenged, crunching into a chip as if to punctuate his declaration.

Naturally, they chided and egged him on throughout the rest of that day, playfully or perhaps maliciously placing one chip at a time in their mouths and then licking the salt from their fingers as if in ecstasy. When they grinned in ridicule, their teeth were buttery golden, and when they got right in his face and whispered things like, “You know you want one. They’re so good,” Alvis could smell potatoes and grease and wanted a second chip even more.

But, growing ever more determined, Alvis would either shake his head or wave his palm, denying himself one golden chip after another until his friends eventually stopped caring. That day became days and those became weeks and those weeks became months and then years after that and he never touched another one, even when he really wanted to.

“Man, who cares?” one of these friends once asked, years afterward, shoving an open bag in his face just to tempt him. “Go ahead and eat one. That was forever ago.”

But Alvis still cared.

Once, in his sixties, he was really tempted. He had even purchased a bag and taken it home; opened it and began to salivate as he breathed in the thick scent of spuds and salt. Gingerly, he pulled a single flake from the open bag and held it between his fingers, letting the skin of his fingertips absorb the oil and sodium. But, the voice nagging him to “go ahead and eat it” was eventually drowned by the one saying, “you’re a failure; a big, fat failure.” In the end, he dropped the chip back in the bag with its brethren, wiped his hand on his khaki pants and pushed the package into the trash.

He just couldn’t do it.

There are certain challenges a person undertakes that are more important than reasoning and logic, matters of personal pride and dedication that say something about a person … define who he is. When Alvis told his idiot friends back in elementary school that he was going to eat “just one,” he had meant it; he had defined himself as a “just one” kind of guy. And while lying on his deathbed, the world gradually fading away as if the blinds were being drawn — the top of the open bag finally being rolled and clipped, as it were — Alvis smiled with the pride of a retired champion.

He licked his lips and tasted salt.

Fresh, Simple F*cking Ingredients

I’ve been watching a lot of the original UK version of wonderfully vulgar chef Gordon Ramsay’s show, Kitchen Nightmares, on the Netflix. This means I’m not only getting to see a lot of pathetic restaurant owners serving disgusting food and making complete dolts of themselves, but I’m also getting to hear strings of profanities long enough to encircle the earth three or four times over. It’s fucking awesome.

While it’s all good and fun to watch these inept businesspeople and foodsmiths sweat under Ramsay’s hellfire gaze and barrage of curse words, I find there’s a lot of practical advice smattered in there. Shows like this make me excited about being an … and you’ll need to imagine the following word in the biggest, fattest quotation marks your mind can conjure … artist. Most of the chefs on Kitchen Nightmares are struggling creatively in some way, which is why their businesses are failing. Most often, they are overly concerned with what Ramsay calls “pretentious fucking food,” or “fucking overblown pretentious fucking food” or “fucking ugly overpriced pretentious cock-inflating shit I wouldn’t serve my fucking dog” or some other combination of the words “fucking” and “pretentious.”

In the end, most episodes revolve around Ramsay struggling with the chefs who need to check their egos at the door and just create something good. Just because something’s complicated doesn’t make it delicious. It’s usually the opposite in fact. Doesn’t matter how much garnish you add if the meat’s not cooked correctly. Ramsay often refers to this as either “losing the plot” or “losing the fucking plot,” depending on how worked up he is at the time.

Although Kitchen Nightmares obviously revolves around the creation of cuisine, I think much of Ramsay’s advice can be applied to other arts … say, writing for example. That’s right, it always comes back to writing with me. Glance upward at the name of the blog if you’re wondering why.

Personally, I’m wont to make every single thing I write as complicated as possible. Sentences tend to stretch on toward the end of days; semicolons and colons and comma-ands litter paragraphs like Frito-Lays packages on city streets; and heaven forbid I write a single sentence with the traditional “subject-verb-noun” arrangement. Because I have some inane hang-up with writing two sentences that begin in the same way next to each other (Ex: Magdalena got out of bed and went to the kitchen. She opened the cabinet and screamed when the wombat popped out and clawed at her face.), I usually end up working doubly hard when writing, twisting and contorting my sentences in awkward ways to make them seem different, but not necessarily better. I may find the two-sentence story about Magdalena and the angry wombat living in her kitchen to be a bit dry in its execution, but it’s a technically sound way to tell the tale. Although I COULD rearrange the words so that the two sentences aren’t so similar in structure (Ex: Magdalena got out of bed and went to the kitchen. Opening the cabinet, she screamed when the wombat popped out and clawed at her face.) it doesn’t really make the story itself any better. In fact, it’s a bit confusing.

If Ramsay’s show were called Writing Nightmares, he’d have a field day with me. I mean, a “fucking field day” with me.

I don’t think I’m alone in this, or at least I hope not. It’s just so easy to slip into the nasty habit of trying to make what I write sound like writing rather than just a story being told. I’ll read how other writers write and wish I could write just like them, which is, of course, stupid. It’s not HOW you write that’s most important; it’s WHAT you write. While I may not be able to use an army of poetic words to conjure beautifully desolate imagery like Cormac McCarthy can, but he’d never be able to tell the semi-tragic story of a small southern town troubled by a giant garbage monster and a 400-foot neurotic dog-beast … supposing Cormac McCarthy would want to write something like that. Which, of course, he wouldn’t.

Bottom line: I think if I can keep Ramsay’s advice for cooking in mind while writing, I’d be better off for it. Pretentious writing is obvious, and I’d rather be the kind of person whose writing is considered simple but good than overblown and awful.

Oops. I mean “fucking overblown and awful.” Close call there.

 

Torture

Don’t think I’ve forgotten about this page, because I haven’t. I’m working on a couple of things right now, including a new short story (to be posted here when finally made worth reading) and the fifth revision of Strange Beasts in a Small Town.

Let me tell you, even being a total narcissist, the very prospect of reading this book for the fifth time is like torture. Still, I’m already finding stuff to fiddle with or cut away, so it’s a thing in need of doing.

For all those impatient for me to post something of significance, I wrote this little thingy for you. It’s called Torture.

Torture

Hey buddy, I’m working, 

No matter what you say.

You just have to be patient

While I’m whiling away.

No matter if you kick or punch or make me bleed,

Stab me in the eye or break my knees,

Bludgeon or burn or impale or cut,

Slice open my belly and pull out my guts,

Blacken both eyes or rip out my hairs,

Jab something up my nose ’til my septum tears,

Bust out my teeth or tear off my nails,

Break all my bones with medieval flails,

Fire a bolt from a crossbow into my face,

Shove a spear in my stomach, an axe in my waist,

Use a nodachi to slice out my spine,

Ram a calve-length dagger where the sun don’t shine,

Bash a morning star down into the thick of my head

And bash my brains in and leave me for dead,

Or just stand cross-armed, looking displeased,

Sighing, tongue-clucking impaitently,

Grimmacing or grunting, wearing a smirk,

Referring to me as a talentless jerk

Whose writing’s more worthless than a pile of shit

Only memorable because it’s so easy to forget,

Or scream, or bark, or holler, or cuss,

Twist off my fingers or kick in my nuts,

Keep cracking that whip as much as you like,

There’s only so fast I can fucking write.

Mic-Fic and Faith in Something

Don't tell my wife, but I'm seriously considering eating them.

I’m a big fan of flash fiction — short short stories that are told in X number of words or less. Usually this X represents a thousand or so, although I’ve seen it represent a number much, much smaller. Some call this “micro fiction,” which I think means you have to use a microscope to read it. I’m not sure.

I’m a big fan of the smaller X and not just because I’m super lazy, although I definitely am. No, there’s something really neat and satisfying about a short story that’s all wrapped up in paragraph or two. It allows the author a chance to tell a story that doesn’t have a whole lot to it — maybe just a single scene or event that happens and is over in a snap. Character development has to happen with a handful of words; dialogue is often minimal or non-existent; and the action is usually immediate and, in theory, leaves a bright impression — like the flash of a bulb and the splotchy eyesight that follows. I love long, drawn out stories, but there is a lot of merit in these tiny tales.

However, I’ve found that a lot of writers seem to treat micro fiction less like succinct storytelling and more as a format to display a small collection of thoughts. This is drifting into opinion territory, so take the following with a grain of salt, but I think that a piece of micro fiction should still contain the basic elements of storytelling: plot, character, some kind of conflict, resolution…that kind of thing. It just has to happen very quickly.

But I’ve read a lot of micro fiction that blatantly omits many of these elements. Usually there is a character, maybe a description of emotions or some such, but very little in the way of action or plot. Often, these stories describe a scene, how a character feels about something, and then they just drift away without actually telling the reader about anything. It’s as if somebody began whispering some random stuff in your ear and then just slowly backed away as he was still talking. You don’t know why the fuck they were whispering or what they hell they were going on about; you’re just unsatisfied and kind of creeped out. That’s no good.

With all that said, I always try to write micro fiction that is — as much as is possible within the format — still a story. A really short story, but a story nonetheless. As with any of my writing, I fail more than I succeed; but that’s part of the fun and challenge. If it were easy, it wouldn’t be worth the effort.

Here’s a little piece of mic-fic I wrote a few weeks ago. Like everything I seem to write these days, it’s about a giant monster. Apparently, I’m creatively bankrupt. If you read it, I hope you enjoy it; if you enjoy it, I hope you take the time to comment; if you don’t enjoy it…well, I guess you can comment, too. I won’t be upset for long.

Faith in Something

Hank’s bulbous belly jiggled harder and harder with each of the approaching monster’s thunderous footsteps. But he swallowed what little spit he had and narrowed his eyes into slits so thin he could barely see, just to look mean.

Sure, he was scared — you’d have to be crazy if you weren’t at least a little bit terrified of 500 feet of towering, scaly, fire-breathing death; but he stood his ground there on Main Street of his little hometown, one arm pressed into the fleshy fat of his left love handle, the other pointed upward toward the beast with the index finger extended. It was this — a single touch — that would finally destroy the monster and end his worldwide tour of destruction.

Hank had no proof of this ability, of course. But knew it in his heart — had known it since he first saw the television broadcast of the giant monster tearing through Tokyo; known it despite his mother’s insistence that he was “dumb” and “worthless,” or his classmates’ relentless mocking of how fat and stupid he was, or the fact that his guidance counselor had laughed in his face outright. Even as the shadow of the creature’s ocean-liner of a foot fell over him, blocking out the sight of everything else, Hank just kept pointing that meaty finger up in the air like a rapier that would pierce through its sole and puncture its heart.

It might have seemed foolish — just the fantasy of a fat kid with too much imagination and not enough good sense. But a boy’s got to have to have faith in something.

Missing Teeth

– Originally published March 25, 2011, on “Flashshot.”

Cofton looked up and saw rows of jagged teeth approaching rapidly. They were off-white, kind of like the carpet in his mother’s house, only slightly bloodstained.

Well, shit, he thought. Of course, I’d get eaten. Why does this crap always happen to me? God, I just hope I miss all those damn teeth.

There was a whooshing of air and then total darkness. Luckily, the huge teeth — each taller than a car standing on end — missed entirely, but he was soaked in warm saliva that stunk of corpses.

“If it’s not one thing…” he said, irritated, as the massive tongue flicked him downward.